Swedish Death Metal is such a beautiful thing. Sarcasm delivers everything that you would expect from the Swedish scene. Excellent melodies, chugging buzzsaw riffs and great vocal howls. I had never heard of this band until a few days ago. Now I cannot stop spinning this release.
Favorite track: From the Crimson Fog They Emerged.
Sarcasm had a hell of a time getting to this. That time wasn't wasted since it culminated in this opus of Swedish death metal genius. The acoustic parts aren't overplayed and are a nice addition to that classic sound.
Favorite track: Embodiment of Source.
What a journey it has been. Ok, technically speaking, this isn’t their first proper full-length – ‘Burial Dimensions’ is. Although ‘Burial Dimensions’ was recorded in 1994, it remained unheard in the vaults until seventeen years later and was finally released as a stand-alone album in 2016. Despite an initial short run, Sarcasm produced no less than six demos and went through some drastic stylistic changes in the process, starting with a quite basic gore n’ guts death-metal sound only to end up with some epic and melodic mix of black and death-metal. All of this over the course of only four years… So there was an unfinished-business vibe in the air. No one thought it would take the band over two decades to make it a reality.
After a first, short-lived reunion in 1997, a newly redesigned line-up of the band finally got together in 2015 with Heval, Oscar Karlsson (Defleshed, Gates of Ishtar etc.) on drums who had previously played in the band in between 1993 and 1994, former axeman Henrik Forslund now on bass, Fredrik Wallenberg and newcomer Peter Laitinen on guitars. But as they were getting ready to work on some new music for their forthcoming sophomore album, tragedy struck with the unexpected death of Oscar, whose hard-hitting yet extremely precise style had become a massive part of the band’s identity. After few weeks of disarray, the band vowed to carry on, enlisting the veteran Matte Modin (also from Defleshed, Dark Funeral, Firespawn and so on) who actually was part for a while of Embalmed, Wallenberg pre-Sarcasm band.
Eventually, both Wallenberg and Forslund had to bow out right before the recording, to be replaced respectively by Anders Eriksson, who had previously been part of the band during the ‘Burial Dimensions’ era, and Jonas Söder. Amazingly enough this doesn’t prevent ‘Within the Sphere of Ethereal Minds’ to be a defiant triumph. Actually, it feels as if all those setbacks and personal struggles only strengthened their will to recapture ‘Burial Dimensions’ blazing stand and run with it even further.
While the music of all eight tracks was written by Peter Laitinen, he somehow did find that perfect balance in between that very specific sense of melody that could only be summarized as ‘typically Swedish’ (fans of the early No Fashion records catalogue will know exactly what we mean here), raging speed and brutality. With one foot firmly planted in the mid-90’s and another in the present, Sarcasm is no nostalgia trip but a genuine return to form to that specific mix of black and death-metal, before saccharine riffing and cheesy clean vocals took over and ruined it all. For the melancholic leads of “Embodiment of Source”, they answer with the blast-o-thon that is “Scars of a Land Forgotten” or the epic-to-kill-all-epic that is the eight minutes plus long “A Black Veil for Earth”.
It may have taken them a long time but it was worth the wait. Hail Sarcasm!
released April 28, 2017
Heval Bozarslan – Vocals
Peter Laitinen – Guitars
Anders Eriksson – Guitars
Jonas Söder – Bass
Matte Modin - Drums
supported by 66 fans who also own “Within the Sphere of Ethereal Minds”
Atmospheric / Black / Doom / Death - Metal packed in 4 Songs with a running Time from 64 Minutes.......
Dark, grim, fast, melancholic and technical with a Mix from "Deathspell Omega" / "Ruins of Beverast" / "Leviathan (USA)" and "Dødsengel".......
No more Words left and just speechless.........
supported by 64 fans who also own “Within the Sphere of Ethereal Minds”
Why do people like this music? Because they hate how it carries them away? How it transfers sound into inner peace? How it is right on, as a combination of all right sounds and tempo; like a violent peace that it is?
I just don’t know. FakeFur777